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"I Was There, I'm Here" Album Cover

SHO-CO-REVIEW 13: I Was There, I’m Here

After a break of almost exactly three years since her last record (Love, painful love), I Was There, I’m Here was released on September 21, 2003. It was Shoko’s first live album, and her first record released as an indies (non-major label) artist — this and several of her following releases would come through indie label Wonderground Music.

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"Love, painful love" Album Cover

SHO-CO-REVIEW 12: Love, painful love

Original released on September 27, 2000 (held back from an originally announced release date of August 23), Love, painful love was Shoko Suzuki’s first entirely self-produced album, and also her last original album recorded under her contract with Warner Music Japan — and also, her final album as an artist tied to a major label.

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"Atarashii Ai no Uta" Album Cover

SHO-CO-REVIEW 11: Atarashii Ai no Uta

Atarashii Ai no Uta, released December 10, 1999, saw Shoko reunite with Yoshiyuki Sahashi, her original producer (and with whom she hadn’t worked in any capacity since RadioGenic in 1993). After the retro ’60s rock style of her previous three albums (all of which were co-produced with Hiroaki Sugawara), Atarashii Ai no Uta would see Shoko embrace more of an ’80s-style of pop/rock music, something along the lines of music she began her career singing (albeit with more of a rock edge).

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"Shishousetsu" Album Cover

SHO-CO-REVIEW 10: Shishousetsu

Shishousetsu, released August 26, 1998, was Shoko Suzuki’s first album under her record contract with Warner Music Japan, with whom she signed after leaving Epic/Sony Records in 1997. Like her previous two albums there is an appreciable rock and roll influence; however, this is balanced with orchestrated pop, ballads and even a country number, making for a fairly diverse album (and more-or-less setting the pattern for many of Shoko’s future releases, which all tend to have a fair bit of diversity to them).

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"Candy Apple Red" Album Cover

SHO-CO-REVIEW 9: Candy Apple Red

Candy Apple Red, Shoko Suzuki’s final album recorded for Epic/Sony Records, was released on March 1, 1997. In hindsight, Shoko leaving her record company seemed to be a foregone conclusion — the record company wasn’t happy with Snapshots, and Shoko presumably wasn’t happy with how they handled her career after Hourglass.

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Review: Star Trek: The Original Series (Blu-Ray)

For my birthday this year, my friends Pooch and Reaper gifted me with the Season 1 and 3 boxed sets of Star Trek: The Original Series on Blu-ray disc. Since this series (hereinafter referred to as TOS) was perhaps my first television love, and sparked an obsessive fanaticism which hasn’t waned for a minute since, I thought it appropriate to post my impressions of these all-new, high-definition episodes.

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"Snapshots" Album Cover

SHO-CO-REVIEW 8: Snapshots

Snapshots, released June 21, 1995, is generally considered the album where Shoko Suzuki’s music went rock. Of course, this isn’t something on the scale of Dylan going electric, as Shoko had recorded rock songs as far back as her first album…and she would continue to showcase pop songs and ballads on her future works.

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